December 1, 2021

Research Reading: PHO740

BOOKS

Ways of Seeing, John Berger 1972

Berger, John. 1972. Ways of Seeing. London: Penguin

Visual and Other Pleasures 2009

Mulvey, Laura. 2009. Visual and other pleasures. 2nd edition. Basingstoke: Palgrave MacMillan

Roland Barthes Image Music Text 1977

Barthes, Roland trans Heath, Stephen. 1977. Image Music Text, p.26. London: Fontana.

Cindy Sherman: Retrospective 1997

Jones, Amelia. 1997 Cindy Sherman: Retrospective. Accompanies an exhibition by The Museum of
Contemporary. London: Thames & Hudson.

Love for sale : the words and pictures of Barbara Kruger Kruger, Barbara 1990

Love for sale : the words and pictures of Barbara Kruger / text by Kate Linker. New York : H.N. Abrams, 1990.

Cindy Sherman 2014

Cindy Sherman. Paul Moorhouse. London : Phaidon Press Limited, 2014.

Barbara Kruger. Remote Control 1993

Remote control : power, cultures, and the world of appearances / Barbara Kruger. Cambridge, Mass. ; London : MIT Press, c1993

Barbara Kruger. National Art Gallery 1988

Barbara Kruger. Wellington, New Zealand : National Art Gallery, 1988.

Barbara Kruger by Alexander Alberro 2010

Barbara Kruger / by Alexander Alberro … [et al.] ; introduction by Hal Foster ; with additional essays by Barbara Kruger. New York : Rizzoli, 2010.

The art of reflection : women artists’ self-portraiture in the twentieth century. Marsha Meskimmon. 1996

The art of reflection : women artists’ self-portraiture in the twentieth century / Marsha Meskimmon. London : Scarlet Press, c1996.

The visual is political : feminist photography and countercultural activity in 1970s britain. Na’ama Klorman-Eraqi.

The visual is political : feminist photography and countercultural activity in 1970s britain / Na’ama Klorman-Eraqi. New Brunswick : Rutgers University Press, [2019]

Thinking of You, I mean Me, I mean You. Barbara Kruger

Thinking of You, I mean Me, I mean You. Barbara Kruger. Art Institute of Chicago, 2021.

Masculinities: Liberation Through Photography. Barbican. 2020

Masculinities: Liberation Through Photography. Barbican. 2020

Martha Rosler. Decoys and Disruptions, Selected Writings, 1975-2001

Martha Rosler. Decoys and Disruptions, Selected Writings, 1975-200. London: MIT Press

Jo Spence. Putting Myself in the Picture

Jo Spence. Putting Myself in the Picture. A political personal and photographic autobiography. 1986 London: Camden Press.

What can a woman do with a CAmera? Jo Spence & Joan Solomon

What can a woman do with a camera? Photography for women. Edited by Jo Spence & Joan Solomon.1995. London: Scarlet Press.

Feminism Art History. An Anthology 1968-2014. Edited by Hilary Robinson.

Feminism Art History. An Anthology 1968-2014. Edited by Hilary Robinson. 2nd Edition. 2015. Oxford: Wiley Blackwell.

Feminist Avant-Garde. A Radical Revaluation of Values.

Feminist avant-garde: art of the 1970s: the SAMMLUNG VERBUND Collection, Vienna. Chapter by Gabriele Schor.

ARTICLES

SPRAGUE-JONES. The Standpoint of Art/Criticism: Cindy Sherman as Feminist Artist?

SPRAGUE-JONES, Jessica and Joey SPRAGUE. 2011. ‘The Standpoint of Art/Criticism: Cindy Sherman as Feminist Artist?’ Sociological inquiry 81(4), 404–30.

MEAGHER. Article Would the Real Cindy Sherman Please Stand Up?

MEAGHER, Michelle. 2002. ‘Would the Real Cindy Sherman Please Stand Up? Encounters Between Cindy Sherman and Feminist Art Theory’. Women (Oxford, England) 13(1), 18–36.

Mitchell. An Interview with Barbara Kruger

MITCHELL, W. J. T and Barbara KRUGER. 1991. ‘An Interview with Barbara Kruger’. Critical inquiry 17(2), 434–48.

Lippard. Projecting a Feminist Criticism

LIPPARD, Lucy R. 1976. ‘Projecting a Feminist Criticism’. Art journal (New York. 1960) 35(4), 337–9.

Williamson. Images of Women. 1983

Williamson, Judith. 1983. ‘Images of Woman’. Screen (London) XXIV(6) Available at
https://academic.oup.com/screen/article/24/6/102/1653400 [accessed [01.12.21]

Frederickson & Roberts Objectification Theory 1997

Fredrickson, Barbara & Roberts, Tomi-Ann. 1997. Objectification Theory: Toward Understanding Women’s
Lived Experiences and Mental Health Risks. Psychology of Women Quarterly. available at
https://www.researchgate.net/publication/258181826_Objectification_Theory_Toward_Understanding_Women’
s_Lived_Experiences_and_Mental_Health_Risks
[accessed 01.12.21]

Calogero et al. Self Objectification in Women 2011

Calogero, et al. 2011. Self-objectification in women: Causes, consequences, and counteractions. Available at
https://www.researchgate.net/publication/234119381_Self-objectification_in_women_Causes_consequences_a
nd_counteractions
[accessed 01.12.21]

Geyh. Postmodernism: The Key Figures. 2009 ‘Barbara Kruger’

Geyh, Paula. Postmodernism: The Key Figures. 2009 ‘Barbara Kruger’ p. 195-196 John Wiley & Sons
available here: https://www.academia.edu/49437164/Barbara_Kruger [accessed 01.12.21]

Walker. Barbara Kruger in Context. 2001

Walker, John A. 2001 Barbara Kruger in Context. Available at
https://www.academia.edu/11982960/BARBARA_KRUGER_IN_CONTEXT [accessed 01.12.21]

Would the Real Cindy Sherman Please Stand Up? Meagher, Michelle. 2002

Meagher, Michelle. 2002. ‘Would the Real Cindy Sherman Please Stand Up? Encounters Between Cindy
Sherman and Feminist Art Theory’. Women (Oxford, England) 13(1), 31–32. Available at
https://www.tandfonline.com/doi/abs/10.1080/09574040210122968 [accessed 01.12.21]

Lemmon. The Sherman Phenomenon: A Foreclosure of Dialectical Reasoning. 1993.

Lemmon, Nadine. 1993. ‘The Sherman Phenomenon: A Foreclosure of Dialectical Reasoning’. P.104 Discourse (Berkeley, Calif.) 16(2), Available at https://www.jstor.org/stable/41389316?sid=primo&seq=16#metadata_info_tab_contents [accessed 01.12.21]

Mulvey. A Phantasmagoria of the Female Body: The Work of Cindy Sherman. 1991

Mulvey, Laura. 1991. ‘A Phantasmagoria of the Female Body: The Work of Cindy Sherman’. New Left Review,
188 July/August: p138. Available at https://newleftreview.org/issues/i188/articles/laura-mulvey-a-phantasmagoria-of-the-female-body-the-work-of-cindy-sherman.pdf [accessed 01.12.21]


Hindterliter. The Multiple Worlds of Cindy Sherman’s History Portraits. 2014

Hinderliter, Beth. 2014 ‘The Multiple Worlds of Cindy Sherman’s History Portraits’. NGV Art Journal 44.
Available at https://www.ngv.vic.gov.au/essay/the-multiple-worlds-of-cindy-shermans-history-portraits-2/
[accessed 01.12.21]

Fairey & Orton. Photography as Dialogue, Photography and Culture. (2019)

Tiffany Fairey & Liz Orton (2019) Photography as Dialogue, Photography and Culture, 12:3, 299-305.
Available at https://www.tandfonline.com/doi/full/10.1080/17514517.2019.1669992 [accessed 04.12.21]

Eid. The Maternal Abject and the works of Cindy Sherman.

Mireille Eid. The Maternal Abject and the works of Cindy Sherman. https://mireille.id.au/MireilleEid/thinker/dissertation/sherman/

ARTFORUM. BARBARA KRUGER: RESISTING ARREST

https://www.artforum.com/print/199102/barbara-kruger-resisting-arrest-59174

Museum of New Zealand. Untitled (We are unsuitable for framing), Barbara Kruger

Museum of New Zealand. Untitled (We are unsuitable for framing), Barbara Kruger. https://collections.tepapa.govt.nz/object/36996

Berkel. Barbara Kruger Analysis. The Importance of Space and Art.

Berkel, Victoria. Barbara Kruger Analysis. The Importance of Space and Art. 2016 https://www.ipl.org/essay/Barbara-Kruger-Analysis-FKMGGHWBUXFV

Aperture Archive. Barbara Kruger interview with Carol Squires. 1995

Aperture Archive. Barbara Kruger interview with Carol Squires. 1995 https://issues.aperture.org/article/1995/1/1/barbara-kruger

Smithsonian Magazine. Barbara Kruger’s Artwork Speaks Truth to Power. 2012

Rosenbaum, Ron. Barbara Kruger’s Artwork Speaks Truth to Power. 2012. Smithsonian Magazine. https://www.smithsonianmag.com/arts-culture/barbara-krugers-artwork-speaks-truth-to-power-137717540/

Kamimura. Barbara Kruger: Art of Representation

Review: Barbara Kruger: Art of Representation Reviewed Work: We Won’t Play Nature to Your Culture Review by: Masako Kamimura. 1987. https://www.jstor.org/stable/1358339

PUBLIC BODIES, PRIVATE LIVES: THE WORK OF CAO YU AND PIXY LIAO

PUBLIC BODIES, PRIVATE LIVES: THE WORK OF CAO YU AND PIXY LIAO. Guest, Luise. Art Monthly Australia; Acton Iss. 326,  (Summer 2020): 92. https://www.proquest.com/docview/2464849933?accountid=15894&pq-origsite=primo

PhotoEthics. Symposium on Gender, Power and Documenting Vulnerability

https://www.photoethics.org/content/2020/10/7/photography-ethics-symposium-on-gender-power-and-documenting-vulnerability

PhotoEthincs. Photography Ethics Symposium on Representation Identity and Intersectional Storytelling

https://www.photoethics.org/content/2020/11/9/photography-ethics-symposium-on-representation-identity-and-intersectional-storytelling

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